Cold Wax Medium and Oil Explained

Cold Wax Medium and Oil Explained

A number of newer paintings on Perugi Studio are described as Cold Wax & Oil. What is this new (or not so new) painting method? It is a product by Gamblin (and others) made with mostly beeswax and some solvent. When the artist adds oil paint in a ratio of 1 part paint to 3 parts wax, it becomes a spreadable mixture that is easy to use and less expensive than oil alone. Other advantages are its’ luminosity, butter consistancy, and short drying time. It can be textured with tools and layered which is useful for making abstract paintings. Because it is primarily made of wax, it can only be applied to cradle board or other hard surfaces. (Arches oil paper can also be used if it is adhered to a board later.)  The mixture can be collaged with paper and other materials. Other innovations include adding marble dust, sand, pastel powders, etc.

Cold was was introduced in the 30’s as an alternative to hot wax or encaustics. Encaustics involve heating pots that can be dangerous. Cold wax has become more popular in the last few years because of its ease of use, versatiliy and accessibility. And it was reintroduced by the cold wax Bible  “Cold Wax Medium: Techniques, Concepts & Conversations” by Rebecca Crowell & Jerry McLaughlin, now in its third printing. It can be purchased at the website ColdWaxAcademy.com.

Shows, Classes and Books

I had a lot planned this Spring. This weekend I would have been in Newton Centre at the Newton Open Studios weekend show. I was also scheduled to teach Cold Wax Medium classes for Newton Community Education in April. Then, in June, I was to hang a month long show of my paintings at United Parish of Auburndale. Suddenly, that very busy Spring and Summer has turned into other sorts of work because of the Covid 19 Virus.

I subscribed to a three part online Cold Wax class by the authors of the Cold Wax bible, Cold Wax Medium: Techniques, Concepts and Conversations by Jerry McLaughlinRebecca A. Crowell. I’m looking forward to spending seven hours learning about new techniques and practicing in my home studio. But, this will have to wait a week or two while I help a Globe colleague layout a 160 page book about a South Boston Village and its history. This has been a nice distraction and it feels good to be employed.

A hello to everyone and hope that you are all well and you and your loved ones are safe.  Hopefully, this summer will bring a safer environment.